Milan Fashion Week SS’16

Fondazione Prada

“Es sorprendente que, a pesar de la enorme expansión de los medios de arte, el número de tipologías para la visualización del arte sigue siendo limitada. Parece que la apoteosis del arte se está desarrollando en un repertorio cada vez más limitado de las condiciones espaciales: la galería (blanco, abstracto y neutro), el espacio industrial (atractivo debido a sus condiciones predecibles que están destinados a permanecer neutrales cuando se yuxtaponen con cualquier obra de arte), el museo contemporáneo (una versión apenas disimulada de la tienda por departamentos) y el purgatorio de la feria de arte. La nueva Fondazione Prada también se proyecta en un antiguo complejo industrial – Largo Isarco – pero en él encontramos espacios y ambientes totalmente diferentes (…)”. OMA – Rem Koolhaas, estudio encargado de proyectar la Fondazione Prada.

“It is surprising that despite the enormous expansion of art media, the number of typologies for art’s display remains limited. It seems that art’s apotheosis is unfolding in an increasingly limited repertoire of spatial conditions: the gallery (white, abstract and neutral), the industrial space (attractive because of its predictable conditions which are meant to remain neutral when juxtaposed with any artwork), the contemporary museum (a barely disguised version of the department store) and the purgatory of the art fair. The new Prada Foundation is also projected in a former industrial complex – Largo Isarco – but one with unusually diverse environments”. OMA – Rem Koolhaas, study commissioned to design the Fondazione Prada.

Chie MiharaGrey Cuero” Boots (AW’1516)

Outfit Pics by Carola de Armas attending #MFW / Fondazione Prada Exhibitions: “An Introduction” + “In Part” + “Trittico” + “Rober Gober – Louise Bourgeois” + “Processo Grottesco” / Fondazione Prada “Bar Luce” designed by Wes Anderson

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